A fun. year for the Grammys?

Album of the year nominees fun. performed hit "We Are Young" with Janelle MonĂ¡e on the Grammy nominations telecast. (Kevin Winter / Getty Images / December 5, 2012)

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Madonna’s “MDNA,” however, was indeed overlooked. The misstep that was its first single -- the rah-rah- “Give Me All Your Luvin’ ”  -- set the album off on the wrong foot, yet it was the exception on a record that covered a range of grown-up emotions. Another worthy pop-dance record voters missed was Santigold’s “Master of Make-Believe,” whose worldly beats moved with a social-conscious groove.

For the second year running, voters also overlooked hip-hop in the album of the year field. Though the Roots’ terrific “undun” is recognized in the rap album category,  the album -- released toward the end of 2011 --  excels at offering a snapshot of hard living over a mix of gospel, jazz and hip-hop.

Finally, plenty of independent artists are missing from the nominations tally. Cat Power’s “Sun” was equally lively and foreboding, El-P’s “Cancer for Cure” was doomsday hip-hop at its most sci-fi surreal and Bobby Womack’s “The Bravest Man in the Universe” was the sound of survival at its most soulful. 

And, of course, local rapper Kendrick Lamar, whose sarcastically sinister hip-hop would have been a nice contrast to all the acoustic instruments in the new artist field. That’s just a scratching of the surface.

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